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Loupe​-​enfermoir, for processed contrabassoons, voice & DSP (1977​/​1999)

from Compositures by Didier Guigue

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Some amazing complex sonic properties of the contrabassoon are selected as a basis material for an inner poetic ambient also designed by a few keywords and silence.
The selected sonic objects are octave double tones, unsteady triple tones, “whirling tones”, “undertones”, “broken tones”, klangfarbenmelodien and uneven or noisy spectra produced on the lowest tones of the instrument.
Except in a few short moments, the digital processing remains in the background: its main function is to enlight the acoustic sonic properties of the selected instrumental sounds.
There is a later version for live contrabassoon and tape, recorded in the CD "Música Eletroacústica Brasileira Vol. III', 2004 (Flávio Lopes de Figueiredo Jr., cbn) [see this CD].

credits

from Compositures, released June 12, 1999
Didier GUIGUE: contrabassoon, voice, digital signal processing and edition (João Pessoa, 1999).
Georges SAUTOUR: analog recording of the contrabassoon (Studio Daru, Paris, France, 1980).

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Didier Guigue João Pessoa, Brazil

Didier Guigue is a French-born electronic music composer based in Brazil. His collaborative projects with artists from the experimental art scene include both musical and visual forms. He served as a Professor at UFPB (a Brazilian University) and is a Senior Researcher at the Brazilian Council for Research (CNPq). ... more

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